For Desi, thank you for the abundance of Starters for my round three of SMFS (yes, I’ve been doing it that long), I think it is fitting that this one is last ❤
What kind of disturbed mind would have created the sight before my eyes and why?
Dystrin took a moment he did not have to gaze with unveiled shock and disgust at the painting in front of him. Some fanatic of the neo-Neoclassic had poured his heart and soul into the canvass, and that just made Dystrin sadder. Whatever happened to the magic of capturing beauty and truth with the paint and brush? How did it come to this confused effort to impress with an pseudo-erudite aloofness?
The so-called work of art was a dissonant riot of stark lines that did not touch or align at any point, against a thundercloud of splotches painted by someone who used a color wheel as a dartboard and threw blindfolded. Dystrin’s mind, so attuned to the melding of color and shape to create a likeness of what is and capture the magic within spaces and objects, had trouble comprehending how a mind that would make this could function.
The sound of footsteps echoing in the dark recesses of the museum drew Dystrin’s gaze to the vast space behind him, and reminded him that he did not have time to be critiquing each painting as he went. He needed to find a specific one and jump back.
He ran through marble halls, trying to keep his own footsteps from giving him away, but it was hard on the polished floors. At last he came to the wing of old paintings, the ones with real magic, old magic that the painters of this day and age could only touch upon and dream about.
Here, everything was hushed by thick velvet curtains. At least the curators gave these paintings the respect they deserved, and instead of crowding them together like peasants in front of a street stage, each was given its own wall, and a single light above each haloed the painting with a soft glow.
It was even harder for Dystrin to restrain his urge to stop and gaze at these, with wonder and reverence this time, but he really needed to get back before they caught him. It would be difficult to explain his presence here, and he had none of those all-important pieces of plastic identification that they loved so much.
He could move faster here because the plush carpet swallowed his footsteps, and he quickly reached the end of the wing, where the painting he sought lay displayed on a tiered dais guarded by diamond columns. But as Dystrin’s eyes traveled the length of the great painting like a lover’s caress, his heart sank. No, it can’t be!
He looked deeper, blue eyes probing the visible, and the invisible, trying to find the pull of the magic, but it was flat and empty. To the eye, it may have been identical, but he did not look with only his eyes. They’d switched it out with a replica. The original was probably somewhere in the vaults under lock and key. Leaving Dystrin stranded here.
He glanced around with wild eyes, heaving great gulps of air as he considered his options, trying to quiet the panic in his mind as the guards with their dogs came closer. He looked up, left with only one choice. He was going to have to choose one of the others, and then somehow, figure out how to jump back here and get to his painting. It was a frightening concept, not the least because no one had ever been known to do that, but better to be stuck there than caught by the men here.
Some of the paintings here were still originals, he could feel it, and Dystrin thanked whatever gods watched over this place for that. It seems people get stingy with beauty when they forget how to make it. The first three paintings he passed as he backtracked were empty forgeries, and while the fourth pulsed with magic, the scenery was a vast and stormy sea, lightning illuminating the silhouette of a lone ship. He was willing to take a risk, but he was not suicidal. The next six were no good either, and just as Dystrin was starting to think of a back-up plan for his back-up plan, he found one.
It was quiet and soothing, drawing the eyes in to the detail with the promise of treasure in the subtle lines and carefully placed colors. The forest opened to a grassy hill, and at the top was a fortress beautiful in its simplicity. This one will do.
The lights of the guards’ torches flashed erratically in the darkness, illuminating walls and arches and then leaving them invisible an instant later. The dogs yipped and howled as they sensed their quarry nearby.
Dystrin steeled himself, grabbed the gilt frame, and hauled himself into the painting. Space and time undulated past him, his eyes watered and his ears popped. Behind him, the light and sound from the other world faded as the one at the end of the tunnel grew more solid, until at last Dystrin stood among the trees he had been looking at just a moment before.
He looked behind him and saw a vague shape of a painting in the air, depicting a room in a museum, dark purple hangings protecting the precious art like a mother duck folding her ducklings underwing. As the portal faded, the image too would fade, until just the soft stirring of the leaves and the twitter of birds in the trees surrounded him.
And if the guards in the museum cared to look at the painting on the wall, they would see that a tall, lean figure with dark hair now stood among the trees, shrewd blue eyes gazing at them as a small smile played on his lips, taunting them by being right in front of them and totally out of reach.
But none of them looked, they just rushed by with their dogs. A moment later the dogs doubled back to where the scent was strongest and sat, tongues out, panting with satisfaction while the guards tried to get them to continue the chase. In the morning, when the first patrons of the day began to filter through the hallowed halls, the figure in the painting was long gone, leaving the little forest as empty as it had ever been.